MUSIQ
?
I cannot find the way to penetrate the centrebombe...
Je ne trouve pas comment pénétrer le centrebombe...
SOLUTION OF THE PROBLEM THAT IT IS NOT ONE:
SOLUTION DU PROBLEME QUI N'EN EST PAS UN :
TO PENETRATE THE centrebombe THROUGH ITS OPEN DOORS:
POUR PÉNÉTRER le centrebombe PAR SES PORTES OUVERTES :
1. if you believe Mathius Shadow-Sky is dead: clic on DEAD
1. si tu crois que Mathius Shadow-Sky est mort : clique sur DEAD
2. if you believe Mathius Shadow-Sky is not dead: clic everywhere
2. si tu crois que Mathius Shadow-Sky n'est pas mort : clique partout
but the word
mais le mot
DEAD
a été remplacé par le mot
has been replaced by the word
MUSIQ
LOST IN THE CENTREBOMBE?
PERDU AU CENTREBOMBE ?
- lost, I feel bad!
-
perdu, je me sens mal !
- why?
-
pour quoi ?
- in contrary, to be lost, is fun!
-
au contraire, être perdu, c'est amusant !
ça signifie
it means:
or I am looking for something I cannot see
ou Je cherche quelque chose que je ne vois pas
or I do not see what I do not know
ou ce que Je ne comprends pas je ne le vois pas
or To not understand makes me blind
ou Ne pas comprendre me rend aveugle
or I am not curious
ou Je ne suis pas curieux
or Shadow-Sky is annoying, what am I doing here?
ou Shadow-Sky fait chier, qu'est-ce que je fous ici ?
FOR THOSE WHO CANNOT SEE THE OPEN DOORS
POUR CELLES ET CEUX QUI NE VOIENT PAS LES PORTES OUVERTES
LISTEN mathius shadow-sky's music: download for free his 88 albums
ECOUTE la musique du myster shadow-sky : télécharge gratos ses 88 albums
READ mathius shadow-sky's books: try a translation from French to your language
LIT les livres du myster shadow-sky : à partir de Dans le ciel, le Bruit de l'Ombre (et tous les autres)
REGARDE ailleurs les vidéos de quelques oeuvres musicales du compositeur
LOOK elsewhere t here is few Mathius Shadow-Sky music works on video:
at TV Bruits, an independent TV in Toulouse since 2000 being in the Internet (it helps to avoid public censorship)
at YouTube centrebombe channel, including the Ephemerode recital performed at Audio Art in November 2014
at Les Guitares Volantes premiere of The Extraction of The Triumphant Beast at Audio Art in November 2018
MEET 1st by email the composer
RENCONTRE le compositeur d'abord par email
myster shadow-sky CONCERTS and next and past creations
the old entrance with flash sound and animation redone in 2026
the older entrance, they are several since 1997!
an other elsewhereinaccessible to the author
vieille entrée avec animation flash refaite en 2026
une + vieille entrée, elles sont multiples depuis 1997 !
même une ailleurs inaccesible à son auteur
NOTICE THERE IS:
REMARQUE QU'IL N'Y A :
no registration to access the centrebombe
pas d'inscription obligatoire au site
no password to access the centrebombe
pas de mot de passe pour accéder le centrebombe
no thing to pay in the centrebombe
rien à payer au centrebombe
no spyware in the centrebombe
pas de mouchard et autre cookies d'espionnage
no cookies in the centrebombe
centrebombe does not harm human beings
centrebombe ne nuit pas aux êtres humains
La Crise du Disque ? de fausses raisons historiques sont propagées sur la toile
4 UN for Ugly News:
1.
CBS LAST.FM = VOLEUR = THIEVE
the billionaire Sumner Redstone steals Mathius Shadow-Sky's music works
Facebook a effacé le compte du centrebombe. La raison ? la phrase ci-dessus. Sumner Redstone, le milliardaire à travers CBS et Last.fm vole les musiques des compositeurs = ne paye pas l'usage de nos musiques. On constate par ce geste de censure envers Mathius Shadow-Sky que Sumner Redstone a le pouvoir de corrompre Mark Zuckerberg. D'autre part, le rôle de Facebook à exiger le scan de la pièce d'identité de l'utilisateur pour l'identifier, prouve que Facebook agit le contrôle mondial de ses utilisateurs au bénéfice du conglomérat américain et de ses organismes politiques de défense nationale.
Facebook has deleted the centrebombe account. The reason ? the sentence above. Sumner Redstone, the billionaire, through CBS and Last.fm, steals the music of composers, i.e Sumner Redstone do not pay us his use of our music. We can see by this censorship gesture against Mathius Shadow-Sky that Sumner Redstone has the power to corrupt Mark Zuckerberg. Besides, the role of Facebook to require the scan of the user's ID to identify the user proves that Facebook is acting the global control of its users for the benefit of the US conglomerate and its political state agencies of national defense.
2.
SCRIBD.COM steals Mathius Shadow-Sky's books
Scribd.com like Last FM and Spotify steals the author's works arguing they are not responsible of what people are uploading to their web site! But to read the free uploaded stolen books, you have to pay Scribd.com! Which is an act of robbery. Scribd.com steals also centrebombe's and Mathius Shadow-Sky's books without any mutual agreement. And Scribd.com refuses to erase the stolen centrebombe files! The first free books access on the Internet was done by Project Gutenberg not scribd.com as they claim!
Letters exchange between scribd.com and the stolen author.txt
3.
Google is obviously not friend with centrebombe!
(and with everybody else)
It's official, Google has deactivated the centrebombe's gmail box on October 13, 2020 at 4.30pm as: "Account deactivated" (sic): (not deleted like Facebook did in 2015). Why? Ask Google. Political paranoia makes Google agents act as victim while it is an act of aggression, indeed of terror. Why? Because Google is a war machine to collect private informations for its government.
Now, it is clear.
Besides, Google has stolen videos from the composer
by closing the centrebombe channel at YouTube
forbidding the access to its owner.
Why? Ask Google.
Analyse du phénomène [.txt 7Ko]
4.
2021 encore +
L'État français avec tous les autres,
par leur Administration,
complices à la domination mondiale invasive et intrusive (= violation) américaine
de Microsoft et Google envers les particuliers
L'exigence Administrative pour communiquer en fermant l'accueil public à obliger les administrés à s'équiper d'outils informatiques couteux avec les systèmes d'exploitations et les navigateurs américains (espions) en particulier les hégémonies Microsoft et Google, fait poser la question : quel est l'intérêt des États non américains de se soumettre et de soumettre ses populations à cette domination américaine intrusive ? Est-ce le résultat de la soumission des États à l'État américain dominant ? Oui. La mondialisation passe par la soumission globale des individus, de tous les êtres humains vivants sur la planète. Internet sert de « lien » pour cette invasion.
Jean Couturier - « Tout le monde autour de moi me demande et moi aussi, comment ce fait-il que vous le compositeur Mathius Shadow-Sky, depuis tant d'années, avec un nombre phénoménal d'oeuvres originales, vous n'apparaissez nulle part, ni dans les institutions concernées, ni à travers un éditeur, ni un label de disque : aucune diffusion qui vous reconnaît (qui permet de vous reconnaître pour accéder à votre musique) en tant que compositeur de musique savante ni même musicien ? C'est incroyable ! Comment est-ce possible ? »
Mathius Shadow-Sky - « Si le CDMC le Centre de Documentation de la Musique Contemporaine m'a retiré de sa liste des compositeurs de musique savante contemporaine (et les autres m'ignorent), c'est que ses responsables considèrent que je ne suis pas un compositeur de musique savante : le suis-je ? Et, quels sont les critères de l'élection pour être reconnu (à l'érection de la gloire) comme compositeur de musique savante contemporaine ? Oui ? C'est ça : Obéir au Protocole de la Convention de l'Administration de la Culture Politisée où l'inclassable et le dérangeant sont bannis. Ce qui signifie que tous les compositeurs répertoriés par le CDMC et reconnus par les institutions jouent le jeu de l'hypocrisie de l'obéissance. Et, si un artiste obéit, il perd en réalité son statut d'artiste authentique créateur original et prend la fonction du décorateur qui masque la laideur par le faux : ce qu'il croit être La musique (la dominante) !
Le règne de la médiocratie est vraiment réel et il est mené par tous ces faux artistes (comme des exécutants esclaves des politiques et de la domination économique). La supercherie dévoilée, reconnue, ils disparaîtront tous (de l'histoire de la musique) en tant que représentants de la honte de l'humanité.
Là maintenant, tu comprends pourquoi je n'apparais nulle part (mes musiques) dans les répertoires institutionnels :
à cause de ma profonde sincérité qui me donne mon authenticité. »
Biophonie du compositeur
Jean Couturier - "Everybody around me wonder, and me too, how is it possible, you the composer Mathius Shadow-Sky, for so many years, with a phenomenal number of original works including a new musical theory, you do not appear anywhere nor in the concerned institutions, nor through a publisher, nor in a record label: no distribution that recognizes you as a sholar music composer and a musician? It's incredible ! How is this possible ?"
Mathius Shadow-Sky - "If the CDMC (the Documentation Centre of Contemporary Music in France) removed me from its list of contemporary music composers, it is because its leaders believe that I am not a classical music composer: am I? And what are the criteria for the election to be recognized (as erection of glory) as contemporary classical music composer? Yes ? That's it: to Obey the Protocol to the Convention of the Administration of the politicized culture (of identification) where the unclassifiable and the disturbing artists are banned. This means that all the composers listed by the CDMC and recognized by all other institutions play the game of hypocrisy of obedience. And, if an artist obey, s/he actually loses her his true artist status of being an original creator and takes the function of the designer who hides the ugliness by the false = the lie (to himself and to others): what s/he believes being music as dominant one!
The reign of mediocracy is real and it is led by all these fake artists (as executive slaves to politics and bankers). The fraud revealed, the social pain and deception recognized, all these hypocrites will disappear (from history of music) as the shame of human kind.
Now, you understand why I do not appear (my music works) anywhere in institutional directories:
because of my deep honesty which gives me my genuineness."
The composer biophony
"Besides, myster shadow-sky does not need any institution to promote his music, the institution serves only to dominate the works, behavior, and free will of the artists, philosophers, composers, musicians, scientists, and all others. centrebombe as an independent web site on the Internet since 1997, has approximately an average of 10.000 visitors (IP) readers, listeners per month (300 per day) with 30 to 100 gigabytes downloaded files per month (1 to 3 per day) by anonymous users (very rare are personal feedback from them), it means: considering the average weight of an audio album as 150 mega, we can say that there is about 3.000 records downloaded per month (increasing each year), means: for this year 2015, there was approximately 36.000 of his records downloaded from the centrebombe official website. Considering the availability of the myster shadow-sky records on the Internet since 2005: centrebombe official website reaches the weight of 30 gigabytes with almost 7.000 files and 24 gigabytes for his 80 albums available for free download. In 12 years there is beyond half million records downloaded at centrebombe (with neither ads, nor commercial promotion) is incredible (for an unknown artist)!"
In 2021, the million of downloaded records at centrebombe.org are exceeded. But does it really matter?
The composer discography
the centrebombe audio archive
direct link to
Nouvel album de la compositrice avec Élisa Trocmé (clarinette contrebasse) : Les Sourcières Géantes d'Isula, 16 mars 2025 [385Mo]
_disccover.front.3A_icon.jpg)
Nouvel album octophonique par Les Guitares Volantes, 1 decembre 2024 [2.2Go]
The 11th spatial album by the electric guitar ensemble to enjoy spatial flux Music for Nothing
The 11th spatial album by the elecric guitar ensemble is released since December 1st 2024
Nouvel album du compositeur : The Edge of the Flying Drag On Earth, released on May 21 mai 2024 [998Mo]
Single that should be published in 2011, it is now the January 3, 2024. Mathius Shadow-Sky accompagne au piano Gherasim Luca Passionnément [24Mo]
Nouvel album du compositeur : Pianos recital of 6 composer's works, 5 decembre 2023 [181Mo]
Nouvel album du compositeur : Concerto pour 3 massivités douces avec soliste submergé, 21 septembre 2023 [155Mo]
Nouvel album octophonique par Les Guitares Volantes, 1 septembre 2023 [888Mo]
The 10th spatial album by the electric guitar ensemble performing the music of Jean-Yves Bosseur to enjoy for free the polytrajectophonic music
Nouvel album du compositeur entendant sans dés les échos voltigeant de la 1ère guitare nonoctaviante polyscalaire dans l'espace, 11 mai 2023 [110Mo]
Nouvel album & livre de philosophie du compositeur pour ensemble de claviers, 26 janvier 2023 [1.5Go] 3e édition du livre, février 2024
Nouvel album octophonique par Les Guitares Volantes, 2 septembre 2022 [2Go]
The 9th spatial album by the electric guitar ensemble to enjoy the freedom of the spatial flux music
Nouvel album octophonique par Les Guitares Volantes, 22 mars 2022 [1.3Go]
The 8th spatial album by the electric guitar ensemble to enjoy for free the polytrajectophonic electric core
Nouvel album octophonique par Les Guitares Volantes orchestra, 1er septembre 2021 [1.4Go]
The 7th spatial album by the electric guitar ensemble to enjoy the electric orchestral free spatial music
Nouvel album octophonique par Las Guitaras Volantas & bébé Solune, 1er mai 2021 [1.1Go]
The 6th spatial album by the electric guitar ensemble to enjoy the free spatial music
Nouvel album octophonique d'avril par Las Guitares Volantes, April 1, 2021 [583Mo]
The 5th spatial album by the electric guitar ensemble to enjoy the free choreosonic music
Nouvel album octophonique de mars par Les Guitares Volantes. Mars 15, 2021 [1Go]
The 4th spatial album by the electric guitar ensemble a free spatial enjoyment
Nouvel album octophonique par Les Guitares Volantes. Decembre 1, 2020 [1.4Go]
The 3rd spatial album by the electric guitar ensemble free to enjoy
nouvel album octophonique, par Les Guitares Volantes. Octobre 13, 2020 [930Mo]
The 2d spatial album by the electric guitar ensemble a free publishing to enjoy
nouvel album octophonique, par Les Guitares Volantes. Septembre 1, 2020 [1Go]
Historical premiere for spatial music by the electric guitar ensemble a free publishing for joy
“It was obvious for the next generation of composers, starting in the 80s, that the sounds of symphonic instrumental music have to fly every where in space. Spatialization is also needed to be able to perceive polyphonic complexities (= non perceptible or unknown phenomena). Trajectorized music in space started in 1958. But the massive economical and political censorship against 'avant-garde' art and music forbids since 1973/1981, these spatial symphonic concerts to exist and flourish.
Since 1979, Mathius Shadow-Sky dedicates his life to polytrajectophonic music creation in space, reconsidering symphonic music with flying sounds of live performed polymorphic musical instruments in the total space. But, still 46 years after, no one has heard and knows what it is to experience instrumental polytrajectophonic music.”
All free records of the composer
tous les disques gratuits du compositeur 1979 - 2025
4 livres html du compositeur, parmi les autres :
4 html books by the composer, among others:
. Dans le Ciel, le Bruit de l'Ombre [The book to know how to create music being free]
Le livre qui redonne sens et raison à l'existence de la musique qui a été corrompue par la peur sociale
. Grégarité 4e édition v.24.0 corrigée et augmentée 2023 [The book to understand how to live free]
Manifeste (du latin classique « manifestus » = évidence) pour se libérer de la peur qui nous gouverne.
. Vivre ! l'espèce humaine [rédaction achevée en 2022]
Réflexions d'un homme libre, prisonnier dans notre monde domestiqué.
[Thoughts from a free man living in a domesticated world]
Livre d'Investigation au propos de : La raison de l'existence de l'art et de la musique dans nos sociétés domestiquées
. Le Grand Divertissement [nouveau livre en cours de rédaction, commencé en 2024]
A new book to insist on what too few humans understand.
Un autre livre qui insiste sur quoi trop peu d'humains comprennent.
. Pour-Faire-Court
Glossaire de directions pour ne pas se perdre en route ou tomber dans le panneau.
QR - Pourquoi Mathius Shadow-Sky, étant compositeur, écrivez-vous tant de textes sur l'humanité ?
MS - Qu'est-ce qui importe de faire ? quand la musique ensemble ne peut pas se réaliser ? Eh bien, il reste à écrire pour dire ce quoi et pour quoi personne n'ose dire, ni ne désire savoir, par peur de révéler notre réalité de destruction systématique de l'intelligence humaine. Réalité recouverte d'une couche supplémentaire de dénie par tous de ce monde entier complice par leur silence ; au cas où l'absence de conscience serait insuffisante à ignorer que : depuis 1/2 siècle, de façon manifeste et accélérée, l'intelligence humaine régresse. Et cette régression s'entend dans la musique. La musique a toujours été le reflet privilégié de l'état de santé de l'espèce humaine.
QR - Why, Mathius Shadow-Sky, as a composer, do you write so many texts about humankind?
MS - What matters to do? when music creation with every one cannot be turned to reality? Well then, we have to understand that phenomenon, and explained it; to write about it, to resolve it: knowing that no one dares to speak up, because most of humans fear revealing our reality about our responsibility of our own systematic destruction of humankind intelligence. It is obvious for every one aware that, since the last five decades, human intelligence has been in regression, accelerating in the 21st century (regression also enhanced by overusing programmed machines built by humans), and this human regression can be clearly heard in [authorized] music. Music has always been the primary reflection on the state of humankind's health.
Dialogue entre mélomanes :
- Où sont les grands compositeurs au XXIe siècle ?
- Tels les Mozart, Bach, Beethoven, Debussy, Satie, Ravel, Varèse, Henry, Xenakis, Stockhausen d'antan ?
- Ils sont depuis 45 ans [en 2026] censurés, interdits des scènes publiques.
- Depuis 1981, date de la déclaration de guerre politique culturelle envers les arts vivants de l'avant-garde...
- ...
il n'y a plus de véritables artistes vivants dans le domaine public.
- Sans art, le taux de pénibilité à vivre en société s'impose toujours de + en + élevé.
-
Et, il n'y a que le déni qui donne à s'en protéger et : à l'aggraver.
- De toute l'histoire de la musique, depuis le VIIIe siècle, la musique créée originale des compositeurs vivants...
- ...
n'a jamais été autant interdite dans l'espace public, autant qu'au XXIe siècle.
Histoire récente de la musique savante Nouvelles et pensées du compositeur
Music history of the last 5 decades News and thoughts of the composer
histoire du myster shadow-sky : nouvelles + biophonie + écrits + entretiens du compositeur (radio et articles)
the mystery shadow-sky's history, news, and thoughts: biophony, interviews of the composer (texts, and radio/podcast)
en + :
Faits récents depuis cinquante ans, bien tristes, du monde de la musique : bouts d'histoire du dernier 1/2 siècle
Recent sad facts in the music world during the last half century: a sad music history for original music creations
Les années noires pour la création musicale savante
Partition-Puzzle
LLL = La Langues des Lignes
Behaviours Grammar Music Game
[the Language of the Lines page]
Musique jeu d'harmonie comportementale :
« On s'attache, On se sépare, On reste à distance »
the EphemereLLL music game
2025 music game mixing 2 music games : LLL + Ephemerode = EphemereLLL
Simplified LLL music game,
for singers in quartet
for large choir
[manual of the music game]
Brave New Melodia
An other music game that reveals general social denied hypocrisy.
Melodia
Musique soignante ? Musique curative ?
Sa vie curée par la musique-jeu ?
Curer par le jeu la musique malade ?
Ou le jeu-musique qui cure les états d'esprit infectés de croyances ?
Cure du latin cura = Soin.
« La mélodie n'est pas ce que tu crois ».
Here is the music-game MELODIA.
.
Réinventer le concert, avec les diversités des musiques jeux :
Le concert à Quoi Ça Sert ?
Le Jeu, Fondateur du concert
.
Les Guitares Volantes
[the Flying - sounds from the - Electric Guitars/Synths/Keyboards Ensemble]
January 29, 2017. The first ever spatial polytrajectophonic choreosonic electric strings ensemble in humankind history.
July 13, 2017 birth of the electric guitars spatial music: world premiere of the electric strings quartet [stereo bootleg, mp3, 143Mo].
May 2018. The Fying Guitars became a forbidden orchestra in its home city: Toulouse! The Toulouse city hall mayor censorship for music is high.
November 25, 2018 in Krakow Poland performing "The Extraction of the Triumphant Beast" premiere for Audio Art festival music lovers [VIDEO1][VIDEO2]
2019. The music score named "The Triumphant Beast" is in its vesion 28: "Neither Beasts, nor God, nor Monsters. Only figures of the Worst" [pdf A3 12Mo]
September 1, 2020. The 1rst spatial record: NEITHER BEASTS, NOR GOD, NOR MONSTERS is released.
October 13, 2020. The 2d spatial record: THE TRIUMPH OF THE ORDINARY MADNESS is released (resounded in November)
December 1rst, 2020. The 3rd spatial record: MYSTERIUM AERIUM is released (resounded in December 2022)
March 15, 2021. Their 4th spatial record is released: Les Guitares Volantes play THE EPHEMERODES CARD OF CHRONES
April 1, 2021. Their 5th spatial record is available for free: BREATHE! It's a beautiful day!
May day 1, 2021. Their 6th spatial record is available for free: SATURE! It's too bland here
September 1, 2021. Their 7th spatial record is available for free: ATTRACTIO & REPULSIO
Mach 22, 2022. Their 8th new spatial octophonic album is released, always for free: LA GRATTE
September 2, 2022. The 9th polytrajectophonic album is released: PIECES PEDEMAGOGIQUES & PENIBLES, RENCONTRE AVEC LES INCONNAISSABLES
September 17, 2022. The 1st outdoor polytrajectophonic spatial electric performance on a field of 1 hectare [2.5 acre]
February 14, 2023 for the music history. The 1rst NONOCTAVE POLYSCALAR ELECTRIC GUITAR is born: Monia Shadow-Sky I.4
March 24-May 9, 2023. Performing in a giant steel sphere hall: La Boule de Rangueil au CEMES in Toulouse? This CNRS institution forbids spatial music to exist
September 1, 2023. Les Guitares Volantes' 10th album with the music of the composer Jean-Yves Bosseur is released
March 12, 2024 for the music history. The 2d NONOCTAVE POLYSCALAR ELECTRIC GUITAR is born: Arta Shadow-Sky III.2
December 1, 2024: Les Guitares Volantes' 11th album PAX MAX Music for Nothing is released
July 17, 2025 for the music history. The 3rd NONOCTAVE POLYSCALAR ELECTRIC GUITAR is born: Tonia Shadow-Sky IV.11
the 1st 3 nonoctave polyscalar electric guitars in music history
Arta Pacifica (above), Tonia Vantage (middle), Monia Scroll (below)
together they gather 18 different nonoctave sclales to shape the new nonoctave harmony
Arta made from all other intervals in between (above),
Tonia made from equalized tonal intervals (middle),
Monia made from harmonic intervals (below).
.
Les Voix Filantes [the Flying Voice quartet][reflet des Guitares Volantes reflet des Voix Finantes]
Quatuor vocal naissant (2019/2025), identité du chant d'LLL = La Langue des Lignes (d'abord) à 4, valdinguant dans l'espace.
Vocal quartet as a reflection of Les Guitares Volantes in quartet to create double quartet flying music.
Where are the singers?
.
The Book of Ephemerodes / Le Livre des Ephémèrôdes
A 35 pages manual explaining the famous 1984 music game,
how to perform freedom in music without improvisation:
LES EPHEMERÔDES CARDENT DES CHRÔNES
released in May 18, 2018 by Editions AcquAvivA
sorti le 18 mai 2018 par les éditions AcquAvivA
.
What about: what recently did happened and did not happened:
Nice People or how air vibrates
A music operation for tripled humans: 'singing-speaking-fighting' shaping a crowd
OLÉ = Orchestre Ludique Éphémère
A new 2025 music ensemble born the March 15, and died the June 28 to perform
the EphemereLLL music game
1sts public and broadcasted performances:
May 16, 2025 7pm at the radio Canal Sud
June 28, 2025 9pm at the Archipel galery
2026: rebirth of the Trans-Cultural Synphônê Orchestra in Toulouse?
renaissance du Trans-Cultural Synphônê Orchestra à Toulouse ?
Les Trans-Cultural Synphônê Orchestra fondent en 1996 une nouvelle économie de la musique.
The Trans-Cultural Synphônê Orchestra are since 1996 the result of a new economy for symphonic music.
And every where else where?
Défi acoustique architecturale pour la musique orchestrale polytrajectorisée
MAIS LE CEMES ET LE CNRS INTERDISENT LA RECHERCHE ACOUSTIQUE ET LA CRÉATION MUSICALE DANS LA BOULE DE RANGUEIL
LE MONDE DE LA SCIENCE QUI INTERDIT LA MUSIQUE SAVANTE DE S'ENTENDRE ? EST UNE 1ÈRE DANS L'HISTOIRE DE L'HUMANITÉ
Oratorio pour choeur et orchestre dedans et dehors La Boule de Rangueil au CEMES à Toulouse
In 2023 it becomes Oroatoire des Inobéissances
censored in 2023, by the CNRS.
Oroatoire des désobéissances [the Oroatory of Disobediences]
An oratorio planned for May 2018. The music was censored by the mayor of the composer home city.
Then this orchestral choral spatial music was planned to mix its oroatorio form with the cinema:
a new form of musicinema was planned in 2020: but it stayed unreleased by being censored by the ecologists of Grün Berlin.
Adaptatio - Hey! Babies are Escaping!
Commissioned in 2016, then decommissioned in 2017 by Art Zoyd Studio.
- Why?
- Everything is explained inside.
.
here where and what:
ici où et quoi :
les musiques du myster shadow-sky (savoir)
or: how & why these music are created?
les musiques enregistrées du myster shadow-sky (entendre)
or: free given discography (why?)
les musique vivantes du myster shadow-sky (vivre)
or: live performances
les écritures du myter shadow-sky (comprendre)
or: free given bibliography
les critiques de livres et de films du myster shadow-sky (sens critique)
or: books and films critics
toutes les archives audio du centrebombe (capital)
or: all centrebombe audio archives
.
Voeux musicaux du compositeur
pour 2026 et au-delà :
Le compositeur recherche une résidence au moins d'1 mois
à disposer d'un vaste espace en plein air (avec borne électrique),
pour élaborer la musique polytrajectophonique orchestrale
avec toute la technologie audio nécessaire.
• Réaliser des concerts choréosoniques en plein air, avec une ensemble de musiciens avec des instruments de musique électriques polymorphés,
dans des lieux privés (les lieux publics étant privés de musique) : forêts, déserts, espaces vierges, etc., avec borne électrique.
La sonorisation spatiale est composable de 16 enceintes : 8 enceintes dans le ciel portées par 8 ballons-sonde et 8 enceintes au sol à disposer selon le contexte géophonique.
• Former un quatuor vocal pour chanter la langue des lignes LLL sur des échelles nonoctaviantes : Les Voix Filantes dans l'espace de lieux aux acoustiques différentes
vocalités valdinguantes de lieu en lieu, de pièce en pièce, traversant les acoustiques architecturales. Liées aux Guitares Volantes formant ensemble un double quatuor dansant dans l'espace.
• Rassembler 100 musiciennes et musiciens pour réaliser les Ephémèrôde Cardent des Chrônes en grand orchestre avec leurs sons voltigeant dans l'espace.
• Rassembler 100 musiciennes et musiciens pour réaliser la musique jeu de l'ÉphémèreLLL en grand orchestre avec leurs sons voltigeant dans l'espace [tentative ratée en 2025 et en nombre de musiciens et de la musique jeu elle-même].
Les Ephémèrôdes Cardent des Chrônes ?
3 dates :
1. oeuvre écrite en 1984
2. adaptée au récital du pianomorphe (instrument à clavier polymorphe) en 2013
3. expliquée dans un livre publié en 2018.
. En 2025, cette musique attend 41 ans pour être réalisée ! Septuors en relais dans sa cérémonie archisonique vaste et infinie, sa version originale de 1984.
. En 2021, Les Guitares Volantes interprètent leur version des Ephémèrôdes Cardent des Chrônes surperposant 11 musiciens sur 98 pistes : album octophonique
. En 2026, renaissance du Trans-Cultural Synphônê Orchestra ? Ici et ailleurs dans le monde ? Né en avril 1996. Pas sûr.
The composer's musical wishes
for 2026 and beyond:
1 month residence at least, to be able to create, in a large outdoor place (with electric plugs), the orchestral polytrajectophonic music
• To sound choreosonic music outdoor (far from cities), like forest, or desert, with Les Guitares Volantes + guests: to develop the spatial polytrajectophonic orchestral music.
The spatial sound system can be built with 16 guitar cabinets: 8 floating in the sky carried by helium balloons, and 8 loudspeakers set on the ground according to the geophonic context.
• To found a Vocal Quartet to sing the Language of the Lines LLL with the nonoctave scales with their voices flying in space. Then setting a double quartet with Les Guitares Volantes
to perform in places of different acoustics where the trajectorized singing voices and guitars fly through different rooms and buildings = their sounds flying through different acoustics.
• To meet to assemble 100 musicians to perform the Ephemerodes Card of Chrones in orchestra a trajectorized orchestral music in relay = with their sounds flying in space.
The Ephemerodes Card of Chrones?
3 dates:
1.
the music game written in 1984 for 7 players
2. in 2013 adaptation for the pianomorphe recital
and 3. in 2018 explained in a book (a wish from Frédéric Aquaviva).
In 2025, this music is waiting 41 years to be performed and heard in its 1984 original infinite ceremonial performance in an inflatable drop shape building.
In 2021, Les Guitares Volantes perform the music-game The Ephemerodes Card of Chrones, stacking 11 musicians being 3 on 98 channels for an octophonic album.
In 2026, rebirth of the 1996 Trans-Cultural Synphônê Orchestra? Not sure.
To perform a mix with the LLL and the Ephemerodes music games?
Here and every where else (like the 1996's wish)?
contact the composer
Mathius Shadow-Sky writing music creation desk (2026)
2026
Constatant le verrouillage général avec l'absence d'échange réel dans le réseau Internet,
le site du centrebombe, âgé de 28 ans, avec toutes les oeuvres du compositeur va se retirer progressivement pour disparaître d'Internet.
Noticing the general locking with the void of real exchange between people in the Internet network,
the 28-years-old centrebombe website, with all the composer's works, will gradually retreat to disappear from the Internet.
Le compositeur, 2022
.
Lost of precious close humans:
« in loving memory of Alexis Sadowski 1991-2024
the nephew of the composer who died at the age of 33
»
« In loving memory of Philippe "Donus" Casadebaigt 1968-2024
the drummer of S.P.O.R.T. (1997-2005),
the drummer of The Glorified Entreprises (2006),
and many many other rock bands (1988-2024),
who died at the age of 56. »
« in loving memory of Tom Johnson 1939 –2024
November 18, 1939 – December 31, 2024
composer who understood the importance
to develop other musical theories
and communicate them to every one. »
« In loving memory of Michal Zduniak 1959-2009
an over talented Polish drummer
with the band Ono Lulu Filharmonia (1984-1990)
who died at the age of 50 »
Warning advising foreword:
Welcome into the book of the expanded writings, including the recorded albums of unique original music, by the composer Mathius Shadow-Sky. This web site is not an advertisement of an artist seeking recognition and rewards, but a place to receive for free the composer's music artworks, a place to publish the knowledge and pleasure, and make these accessible to all.
Here, there is nothing to pay and no need to register: only to read, to listen, to think, and to communicate for free with the composer everything that comes to your mind and that is provoked by his music and by his analysis of humanity. And thereby also to help to enhance our knowledge and understanding, which are in heavy decline since a half of century, obviously.
The name of the website came to the composer's mind because of the permanent threat held by politicians having the power to destroy life on Earth, since the 1st massive destruction with the atomic bomb. The centre of the bomb, under this permanent threat, is always the most peaceful and safest place to create original art with freedom. Art and music need freedom to invent and to create original works. The opposite generates only copies. Original artists are hunted down and corrupted since the end of 70s by the politics and the economy. Why? Art and music instigate and develop the people's intelligence, and consequently, their will to live free. Everybody knows and denies living in slavery. Slavery causes the degeneration of our species. Today, this degradation is everywhere in our social environment. This is our disaster, that we agreed to live with. The social responsibility of the artist has become huger than ever. It is why true artworks (of all the rare surviving original artists after the cultural war 1981-2025...) are free, and have free access. The development of the intelligence of humanity depends on it. This centrebombe extended book online is open since 1997 to feed and to cure damaged minds that are in need to escape the insane trap of our degenerated domestication. And for the others, free humans, to enjoy the music. [Translation: Marc Fabian Erdl]
Avertissement en avant propos à s'aviser :
Bienvenue dans ce livre à l'écriture étendue, incluant les albums enregistrés de musique unique et originale, du compositeur Mathius Shadow-Sky. Ce site n'est pas publicitaire, tel celui d'un artiste qui cherche la reconnaissance et les récompenses. Mais un lieu de publication pour rendre accessible à tous, les musiques et les savoirs pour le plaisir de recevoir gratuitement les œuvres de musique du compositeur. Ici, il n'y a rien à payer ; pour : lire, écouter, penser et communiquer avec le compositeur. Sur tout. Ce qui vient à l'esprit du lecteure auditeure que sa musique et son analyse de l'humanité provoquent. Ça pour développer nos savoirs [le savoir sait, la connaissance connaît sans vouloir savoir] savoir qui est en déclin et qui est renforcé depuis 1/2 siècle, est manifeste aujourd'hui.
Le nom du site web est apparu à cause de la menace permanente des politiciens à vouloir et pouvoir détruire la vie sur la planète, ça, depuis les destructions massives réalisées avec les 1ères bombes atomiques. Le centre de la bombe, dans ce cas de menace permanente, est l'endroit le plus paisible et le plus sûr pour créer des œuvres d'art originales. L'art et la musique ont besoin de liberté pour créer des œuvres originales ; car le contraire ne génère que des copies. Mais les artistes originaux sont traqués et corrompus depuis la fin des années 70 par les politiciens tenus par l'industrie du divertissement. Pourquoi ? L'art et la musique développent l'intelligence et en conséquence la volonté de vivre libre. Tout le monde sait et nie vivre de et dans l'esclavage. Ça, provoque la dégénérescence 5 millénaires de notre espèce. Mais depuis 1/2 siècle, la dégradation de l'intelligence s'est accélérée, amplifiée et répandue partout dans toutes les sociétés : un désastre vécu abdiqué par tous. La responsabilité de l'artiste est devenue plus grande que jamais. C'est pourquoi les œuvres d'art de tous les rares artistes originaux rescapés de la guerre culturelle 1981-2025... sont libres d'accès. L'avenir de l'humanité en dépend. Le livre du centrebombe est ouvert dans l'Internet depuis 1997, aussi pour nourrir et guérir les états d'esprit endommagés qui ont besoin de s'évader du piège insensé de la domestication, et pour les autres, de se réjouir de la musique.
Some contents of the centrebombe interactive huge book online growing since 1997
Sommaire incomplet du livre interactif immense en ligne croissant depuis 1997
centrebombe on the Internet since 1997
Au XXe siècle, les philosophes étaient courus.
Leurs pensées étaient désirées et bues.
Au XXIe siècle, on leur jette des pierres.
In the 20th century, philosophers were in high demand.
Their thoughts were desired and appreciated.
In the 21st century, they are being stoned.
Mais il y a + !
On ne pensait pas la philosophie infectée par la médiocratie.
En 2025 c'est fait.
Les éditeurs français publient à tire-larigot
des livres insignifiants de faux philosophes.
the Questioner - why called your creation place centrebombe?
the Composer - it started in 1981, when the French state asked me to found a non-profit organization,
the Composer - necessary to apply for public grants, that any my music works never received.
the Questioner - does it have to do with explosion shape, i.e. expansion?
the Composer - yes, the music to spread in space, but centrebombe means: the vibrations’ birthplace.
the Questioner - but the vibrations’ birthplaces are everywhere!
the Composer - indeed, centrebombe is everywhere!
the Composer - It is why my music is flying everywhere in space.
WHAT ARE: MYSTER SHADOW-SKY'S CONCERTS READY TO PERFORM?
A composer is supposed to write music to be performed by musicians. In the 20th century serious music world, most of the composers never performed their music (few of them more open minded?). But, starting from 1980, most of musicians, attached to avant-garde circle of composers, refused to perform any music that can change their way (their instrumental technique and any instrumental modification, like the John Cage prepared piano) to play music (until to refuse to retune their musical instrument, as scordatura). I was myself quite surprised by these reactions, because these musicians got occupations because of the avant-garde composers (I was creating at that time at IRCAM). So, in 1984, I had no choice: to listen the music I wrote for amplified classical guitar, I had to perform my written music myself (It was a performance at IRCAM). That, started my ability to perform my music explorations. By testifying in 1984 the regression of the avant-garde originality, because the selected composers to perform their music have to be attracted by the classical music world (where the money is). To keep my honesty to original music creation, I had no choice than to left the Parisian circle with a huge disappointment: seeing the world of avant-garde creations collapsing.
The same year, 1984, I came back to Warsaw to meet my old friends from the Academy of Music to found a band of music mixing all genre: to be distinguish from them: that was 'Ono Lulu Filharmonia' (1984-1990). It happened a similar approach with the Lamplayer performing as soloist, starting 1980, to end in 2007. Because I was exploring to reinvent permanently the evolving object-instrument (I met in 1995 Vincent Favre who was able to perform the same object musicalized to be a musical instrument): starting from an articulated lamp with springs as a 'ready made' to a highly sophisticated polymorphic musical instrument. 27 years of performed 'musique concrète'.
Taking my independence from the composer (economic) world circle (the Parisian too) by founding my own creation place in South of France, in front of the Pyrénées mountains, I knew that if I want to listen to my music performed by an orchestra, I have to found theses orchestras. The Trio Fonic was one of them. So, I perform in solo (as an explorer), and with other musicians, and with the orchestras I found myself (mostly for ephemeral projects because there iis no money for us). Also, I have the ability to record my written music as a sound engineer in a multichannel album, alone, or with others in my recording spatial studio. - By lack of invitations to perform? - Yes and no. Today, it became pointless to perform, because the general level of music knowledge is so low that I would prefer to perform without any audience my orchestral spatial music outrdoor in the field. Or, the presence of the audience became minor, to turn to reality my polymorphic polytrajectophonic polyscalar music.
LES GUITARES VOLANTES was founded in 2017 to hear an electric string quartet flying their sounds in all the space. Also as an experimental band to perform with the new nonoctave polyscalar electric guitars. Since 2017 any concert agency could with the help of the composer to organize a choreosonic (sounds dancing in full space) performance outdoor. Lot of public places was forbidden to perform our polytrajectophonic music. In my home city, by the mayor himself, and unexpectedly in Berlin too, by local mayors, and by the ecological party: Grün Berlin who gives or forbid to perform in Berlin public garden. All these censorship, of course, without any explanation! Les Guitares Volantes had produced, composed, and performed 11 spatial 8-channel albums from 2020 to 2024. In 2026, to change the music, we have to change the musicians.
To respond to Les Guitares Volantes, the wish was to create a vocal quartet LES VOIX FILANTES (like the stars), 1st to perform themselves the LLL music game, then to perform together with Les Guitares Volantes. But since 2019, I cannot find any singers to play the music game LLL with their flying voices in space!
Same as LES ATIRNONS ERREURS DES TEMPS [THE ATIRNONE WANDERROR OF TIME] are the missing complementary with several choir to fulfil the missing part of THE EPHEMERODE CARDS OF CHRONES. Always and ever from one to another: the female part of the male completes the male part of the female.
THE EPHEMERODES CARD OF CHRONES is a delightful and exciting music game and project written in 1984. But since 1984, I cannot find the place and the musicians to perform the music game! Originally, it needs at least 7 keyboard players to perform the music, this on 7 bad state piano constantly retuned (a special mechanism is added to the instrument) and amplified to be able to fly in 3D space. THE EPHEMERODE CARDS OF CHRONES music gives another way to perform the music: the sense of time in it is extracted from inside the musician (in opposition of receiving written orders from outside). And it became obvious that THE EPHEMERODE CARDS OF CHRONES can be performed by any musical instrument on earth and elsewhere, and also by an eclectic symphonic orchestra of 100 musicians together and in the relay.
There are many other ambitious compositions that was forbidden to be performed in public, like the unexpected one in 2023 censored by the French CNRS [National Centre of Scientific Reasearch] forbidding the acoustic research and the spatial live music creation inside 'La Boule de Rangueil in Toulouse', an unused and abandoned 30 meters giant metal sphere housed by the CEMES (a nanotechnology laboratory). That was for the oratorio called: 'Oroatoire des Inobéissances H Y M N E de la L I B E R T É' (everybody can understand the provocative intention) started in 2018, and forbid by the mayor to be sang outdoor in Toulouse in 2018. Among so many other music projects.
In 2025, we failed to set an ephemeral symphonic orchestra like I did in the 90s with the Trans-Cultural Symphonic Orchestra. But it gives an ensemble of 13 musicians interesting to perform the music game the EphemereLLL. But with an ephemeral orchestra, the music of the composer cannot be sure that the music will sound the composer wish. Most of human beings by being lived by memories, and perceive the real with the filter of their collective memory. For most of musicians, they believe that the music from an alive original composer in the 21st century has to sound like the 20th century 'contemporary music' (sic). So, for them, in this case, it is easy to reproduce the sound they already heard from elsewhere. The EphemereLLL music couldn't sound its music by abuse of projected collective memory.
The last censorship in 2025 was the confirmation (that I am not a 'contemporary music composer', and I am not) by 2 renown contemporary music ensemble, to not create the music 'Nice People, or how air vibrates' for speaking-singing and stunting people. Of course without any valuable given reason. This confrontation confirmed that I create music for the new generation, the one who wants (to escape from the past) to live its present.
Most of composer-musicians, without orchestra, turned to piano recital. For a soloist musician, the keyboard is the Western polyphonic music representative instrument. I have in mind: Colow Nancarrow, as a non-piano performer, used a piano-roll. I have in mind: La Monte Young and his 'just intonation' tuned piano. I think also about Diamanda Galas who ended her voice career with a piano recital. I think also about Keith Jarret, and 'the without audience recital performer' Glenn Gould (J.S. Bach piano-refuge). I think also about List, Chopin, Mozart on harpsichord, and so many others. I did my part with the Ephemerode recital in 2013/2014. Even if I did the Ephemerode recital in 2013/2014, this music can sound much better, especially with several orchestra.
The 10 fingers keyboard music has founded the development of the Western harmony (and the human Western isolation in polyphonic soloisation, sounded today with audio computers). It is a tradition (in the classical music world) to play the piano (even if Pleyel stopped in 2013 to manufacture pianos), we still use the classical monoscalar piano keyboard to shape to play to listen other harmonies. Like the polyscalar nonoctave harmony born in 1980.
Our digital MIDI keyboard system with 'virtual instruments' and mixing software allows us to listen to nonoctave harmony (computer is a perfect calculator to listen exact calculated scales) perform with unheard sounds, by sampling and mixing synthesis. That device gives the possibility to shape multilayers progressive metamorphosis, with multiple instruments, up to hundreds and more, performed by one musician at the same time. The MIDI keyboard controlling multiple virtual instruments is a polymorphic instrument, like electric instruments do: by plug in different sound modules, varied with expression pedals. My 1st score to sound a virtual symphonic orchestra was LA FARSA DEL SONIDO in 1992.
But, there is a need of a serious evolution in music theory. According to the shape of our 10 fingers and 2 hands, there is still no-other-choice to notice the polyscalar music. Today in 2026, being 65 years old, I would enjoyed to work with David Tudor kind of human being.
Since 1996, Mathius Shadow-Sky is building another age for symphonic music with Trans-Cultural Syn-phônê Orchestras around the world. The last attempt to gather 100 musicians from all genre in a symphonic orchestra, was in Berlin in 2007. But the economic censorship was so strong that makes Mathius forced to cancel the project! The project of many TCSOs around the world started waiting since 1997 to be founded, is still on in 2026. 