DYSTOPIA DARLING Finished, the big totalitarian dictatorships of the 20th century, we have in 21st century entered to the dystopian society; the one whose appearance reassures, even amazes, but the one whose ideological engine terrorizes. But this engine remains carefully concealed with a sustained effort (censorship of language, confused senses, forbidden words to publish, obligatory calm and smiling face, high level of hypocrisy, censorship of original arts and music, entertaining propaganda, etc., this, only to hide all other realities). The actors of this dictatorship are no longer the politicians, nor the unstoppable destructive visionaries dreaded and admired as: Hitler, Mussolini, Stalin are today senseless as petrified busts. Politicians no longer have the power, they exchanged it to financial benefits.* But compared to the formed dystopia, these pickpocketing are just junk. The true actors of this states of mind order infection is? You. Dystopia invades our societies by our mind. It is you who are acting by being acted to its fulfilment. How is it possible? And, how is it possible that you are not aware of it? Why to choose the path of dystopia in Europe? Europe that wants to be a unified continent, which is not, as long as the Americans (creators of European Union after the Second World War as the 51st state of the United States who, like the others, pays its tax to the winner) are the leaders. Europe must show the example of its independence that will never happen, for now. In Brussels and Strasbourg, politics work hard for their own private interests linked to greedy companies. And the political and economic interests of European public and private leaders are too much tied to American interests, this is known. The European community which showed in 2008 that when the inhabitants of a country of the community are in difficulty, well? They are abandoned to their fate. Community? No, none of this. Through our last experience (the forbidden Berlin Tempelhof concert of spatial music), we know that the European capital of culture: Berlin (the most funded European capital by the European community which is its platform event) gives the voice to obey the way to follow. Prohibit the concert of serious spatial music in a virgin space of 4km² (runways of the former Berlin Tempelhof airport) with the argument of the presence of skylarks (birds), why? What does it really means? A society who prohibits music is a society who lives its decline. The green guardians of the temple court (Grün Berlin of Tempelhof) are they the guardians of the Berlin dystopia (keep the mask of the outdoor peaceful recreation in Berlin's park)? Prohibiting music, is the first step of the human mind regression, towards a certain social death. Indeed, in this continuity, in this logic, the cities states of mind, are closing on themselves, wanting to disappear through insipidity (they are so scared!). And the cities (of arts) will disappear. The cement of the cities is held by arts and music, not by agressive market, that does not feed any more arts and music. Links are broken. The corruption of human necessities by the confusion of senses (by creating a hidden one with an other one visible in the opposite sense creates the negationist's minds) acts the regression of our European mankind. Now the feeling of death of self-abandonment is more powerful than the one to live. Mathius Shadow-Sky Note * [= The duration of their election (recruitment), they accumulate more as possible for their personal account; this, to not be in lack at the end of their term. But? except that these officials, even after spending a few days in government, receive a comfortable pension for life: why then, this massive diversion of public money, to their private accounts? we do not know the motivation that drives the policies, from here and elsewhere to act to impoverish the common good!). Is it for the Americans?]